Blood Tide(1982)
AKA Demon Island
AKA The Red Tide
Reviewed By-Sean Patrick Dolan
Director: Richard Jefferies
Cast: James Earl Jones, Jose Ferrer, Lila Kedrova, Mary Louise Weller, Martin
Kove, Lydia Cornell, Deborah Shelton
An Americans couple, Neil (Martin Kove) and Sherry (Mary Louise Weller) are
taking their honeymoon on the isolated Greek isle of Cineron. It seems they
have decided to kill two birds with one stone, as this is the last place that
Neil's sister, Madeline (Deborah Shelton), was known to have stayed before
falling out of touch with her family several months earlier. They instantly
meet a hostile reception led by the island's mayor (Jose Ferrer), who makes it
clear that tourists are not welcome-perhaps not even tolerated. Although the
mayor claims not to have seen or heard of Madeline, Neil and Sherry meet another
American couple, Frye (James Earl Jones)
and Barbara (Lydia Cornell), who tell them that Madeline has been staying with
the nuns at the island's convent. An artist, she has been painstakingly
restoring a very old Orthodox icon. Beneath the first picture of St. George
slaying a dragon, she has discovered an older, more primitive picture of a
dragon-like creature menacing a native. Neil quickly becomes concerned for his
sister, whom Frye has dubbed "Mad Madeline"- especially after she takes her
birthday present, an expensive bottle of perfume, and empties its entire
contents on her head and chest before diving into the surf and playing mermaid.
Frye doesn't seem to be entirely in his right mind either. When he isn't
downing Jack Daniels by the bottle or quoting Shakespeare ("He played Othello
once in college and never got over it", explains Barbara) he is scuba-diving to
an ancient subterranean ruin in search of treasure. His hobby seems harmless at
first, until one night when he discovers a strange walled up passageway. Without
hesitating or considering the consequences, Frye packs together some plastic
explosives and blows open the barrier. The blast rocks the entire island and,
of course, unleashes a terrifying evil.
The next day, the two couples have taken Frye's boat out for a cruise. They are
not far out from shore when suddenly they hit something large with the bottom of
the boat. Frye dives under to inspect the damage, which turns out to be minor,
and cannot find a trace of what caused the collision. However, when they return
to the docks they are met by the mayor and a dozen other men. They are informed
that a village girl is missing and are ordered not to sail their boats again
until further notice. Neil is about to protest, but Frye stops him with the
warning, "These Greeks aren't known for their rationality." Another day passes
and though they can't sail anymore, the couples still hang out at the beach.
Barbara does aerobics on the beach before pulling her top off and jumping into
the water. Only then does she notice that a group of men has been watching her
from afar. "Perverts, dirty old men! I thought you creeps only liked little
boys", she fires at them. The humorous scene quickly turns to terror as
something pulls Barbara under the water, which instantly turns red with her
blood. Frye drowns his grief in alcohol, but is sober enough to know that their
are no sharks in the waters off this island's coast-the islanders' explanation
for what happened to Barbara. A tense moment occurs at the funeral, as the
town's mayor interrupts the Orthodox ceremony to honor an older local tradition-
he pries open the coffin to place an ancient silver coin in the woman's mouth.
"Fare for Charon to carry her soul across the river Styx". We have seen this
coin before- it is identical to the hundreds Frye has collected in the
underwater ruins.
At this point, life on the island begins to deteriorate quickly. The night of
the funeral, Neil confronts a very drunk Frye in the underwater tomb. Paranoid,
Frye nearly kills him with a speargun and then spouts cryptic warnings. He
tells Neil that Madeline was the one who discovered the ancient ruins and that
since then "something has gotten to her". He suggests that they all leave the
island before something "gets to them too". Despite the fact that none of this
makes any sense, Neil is convinced. He storms the convent looking for Madeline
and does not find her there, but he does receive a tongue lashing from Sister
Anna (Lila Kedrova), who tells him that he and the other Americans brought death
to their island with their boats and machines. But the Americans are still not
allowed to leave the island, by order of the mayor. The next day Frye witnesses
a group of young boys and a girl playing a game that appears to be a reenactment
of a human sacrifice. After the girl plunges from a high cliff into the water,
Frye powers up his boat and reaches her just in time to save her.
Unfortunately, the girl's mother (who jumped in to save her daughter) was not as
lucky. She is devoured by the sea creature, which Frye gets a look at. As he
hands the trembling girl to the mayor at the dock, the man thanks him but then
issues a chilling, prophetic statement: "You have seen your death, Mr. Frye".
Meanwhile, at the convent, Madeline has discovered an even more ancient picture
beneath the first two layers of the icon. It shows a hideous reptilian creature
with a large erect phallus and a native girl, presumably a sacrifice, kneeling
before it. The wood the icon is made of dates the picture to 1500 BC. Sister
Anna does not like the picture and begs Madeline, who has lately been foregoing
Communion, to attend Mass- Madeline declines. That night a celebration is held
in honor of the girl who was rescued and the man who saved her, Frye. Too bad
he is too drunk to enjoy it, and passes out after trying to tell Neil and
Sherry what he saw under the water. Neil and Sherry are shocked when a pageant
is performed in front of them in which a young girl is given as sacrifice to a
man in a dragon costume. The mayor laughs at their response and tells them that
he was just showing them a little "local color". He playfully calls the mock
ceremony "a little girl going to Communion". Then the mayor becomes serious,
and tells them about the ancient legend of a reptilian creature that inhabited
their ocean and could also walk on land. In the ancient days they placated the
evil by giving young girls in sacrifice. The party is soon ruined as Sister
Anna runs down from the convent into the village bloody and beaten. Fearing for
Madeline's safety, Neil and Sherry wake up Frye and rush to the convent. They
find the place completely ransacked, with the corpses of savaged nuns littering
the chapel. Madeline is nowhere in sight, and Neil is now afraid that his
sister has taken it upon herself to be the creature's human sacrifice. They
take Frye's boat out to the location of the ruins and dive down, finding
Madeline dressed in a white robe waiting in the ruins for the creature to come
get her. Neil and Sherry pull Madeline out of the cave-like ruins and drag her
to the surface where the boat is anchored. Meanwhile, Frye, still quoting his
Shakespeare, meets his fate. He straps plastic explosives to his body and, when
the creature grabs him, blows himself and the ancient evil to smithereens.
Orders not withstanding, Neil and Sherry sail away from the island at full
speed, and as the boast fades into the sun-filled morning horizon, the film ends
with the Mayor and his granddaughter watching sternly from the docks as the
foreign intruders disappear.
BLOODTIDE is a surprisingly solid B-movie from director Richard Jefferies
(SCARECROWS) and writer Nico Mastorakis (IN THE COLD OF THE NIGHT, ZERO BOYS).
The storyline is nothing too original- trouble making Americans in an exotic
locale clash with resentful natives while unwittingly awakening an ancient
evil. But the film is well executed and never tries to overreach itself. No
lofty social or political commentary is broached and the conflict between the
natives and foreigners is at the level of relative harmless cultural stereotypes
and jokes. This is a low budget piece, low on gore and even lower on nudity
(which is a shame because Weller, Cornell, and Shelton are all beautiful
women). The fearsome sea creature is a run-of-the-mill latex creation which is
only shown from the front, so that little is shown but its huge jaws opening and
closing to display some nasty dental work. The film does present some beautiful
travel footage of a beach and island community, although I have no idea where
the film was shot. The main strengths of this film are its fast pace, excellent
casting, and goofy dialogue. Veteran actors Jose Ferrer and Lila Kedrova
contrast well with younger actors Kove, Weller, Cornell, and Shelton, who have
more TV credits on their resumes than feature films. But one man steals this
show, and it is the much respected James Earl Jones, who inexplicably landed in
this film. His character is completely off-the-wall, from his "Me Tarzan, You
Jane" attitude towards his girlfriend Barbara, to his Shakespeare fetish and
heavy drinking. He spends most of this film in a scuba-diving wet suit, and in
one hilarious and memorable scene he speaks with the mask on, nearly perfectly
duplicating his voice role as Darth Vader. This film ends with Jones dynamiting
the hell out of the monster JAWS-style and as the credits roll we are treated to
a horrific song written and performed by one of the film's stars, Deborah
Shelton. A perfect ending to a film that is, as they say, so bad its almost
good. A highly recommended experience.
I reviewed the release of BLOODTIDE as part of the Brentwood Home Video DVD
four-pack "Tales From the Boneyard". This is a great company that continues to
present set after set of films- which I otherwise would not purchase
individually- at very affordable prices. The picture and audio quality on each
title of each set vary considerably, but BLOODTIDE was respectable on both
counts. As usual, there are no extras, unless you count the six scene chapter
index. The other films presented in this set are the giallo THE NIGHT EVELYN
CAME OUT OF THE GRAVE, the bizarre British hippie/death cult/ motorcycle gang
film PSYCHOMANIA, and HORROR EXPRESS, an old monster movie starring Christopher
Lee and Peter Cushing.